[Sing with heavy Corsican accent, warm chest-voice, rolled R's, exactly like the vocal style of I Muvrini – earthy, spiritual, brotherly.

Genre: Traditional Corsican polyphonic folk, Paghjella sacred chanting, Mediterranean acoustic world music, deeply inspired by the vocal warmth and spiritual earthy harmonies of I Muvrini]

[Vocals: Male ensemble – one deep, rich baryton with a grainy, honeyed chest-voice, and one soaring, luminous tenor. Sing with a thick Corsican accent (rolled "R"s, open, guttural vowels). The lead voice begins intimately, almost a whispered prayer, then builds to a passionate, desperate cry echoing across valleys. Harmonies are tight, organic, blending in traditional thirds, fourths, and aching minor second dissonances (seconde âpre) that resolve into pure, consoling consonance. The voices must feel like brothers singing around a fire, with a shared heart and soul.]

[Instrumentation: Warm nylon-string acoustic guitar with delicate fingerpicking arpeggios, a mandolin playing sparse, melancholic tremolo notes, a soft frame drum (tamburello) striking on the off-beats, a deep cello or acoustic bass maintaining a modal drone (pedal note) throughout, and distant, subtle sounds of wind blowing through the maquis. Occasional gentle touches of a jew's harp or cetera (Corsican cittern) for medieval colour.]

[Mood: Spiritual, nocturnal, introspective, nostalgic, yet luminously hopeful. A prayer for awakening, a lament for humanity lost in sleep, a hymn to the divine present in every grain of wheat. The atmosphere must be timeless, sacred, and profoundly human.]

[Rhythm & Tempo: Slow, breathing, organic rubato. 6/8 time signature, swaying like a shepherd's walk, never mechanical. Allow slight pauses between phrases for emotional impact.]

[Structure & Dynamics:
- 0:00-0:15 – Intro: Solo mandolin arpeggios over a deep cello drone, evoking a distant mountain lament.
- 0:15-1:10 – Verse 1: Solo baryton voice, intimate and hushed, accompanied only by sparse guitar fingerpicking. Sing with fragile vulnerability.
- 1:10-2:00 – Verse 2: Lead tenor enters softly. The voice grows in strength and warmth. Frame drum enters subtly on the 6/8 pulse. Second voice joins on drone notes.
- 2:00-2:45 – Bridge 1 ("Danse des cœurs"): Full polyphonic explosion. All male voices blend in tight, emotional harmony (typical I Muvrini style – thirds and dissonant seconds resolving). Instrumentation swells. Passionate, almost ecstatic delivery.
- 2:45-3:30 – Verse 3 ("Parole était-elle"): Peak emotional intensity. The lead voice belts out with desperate yearning, full chest-voice, vibrato wide and powerful. Backing vocals support with sustained harmonic clusters.
- 3:30-4:05 – Bridge 2 ("Spirale"): Stripped back dramatically – almost a cappella, just a lone, fragile voice with a low drone and the softest frame drum, slowly building back with layered polyphony.
- 4:05-4:40 – Outro: Voices fade into a distant hum. Mandolin returns for a final melancholic phrase. The song dissolves into silence like a prayer carried away by the wind.]

[Production: Warm, analog, natural reverb reminiscent of a mountain stone church or a vast canyon. Minimal compression. Organic, living sound. The voices must feel close, almost breath in your ear, yet echo like they're singing to the stars. A sense of sacred space and raw, emotional truth.]